DIAMOND EDUCATION

LEARN ABOUT DIAMOND CUTS

Diamond cut explained

Cut is what makes a diamond look bright, fiery, and alive. Learn what cut grade really means; then use our practical rules to choose a diamond that performs in real light.

Diamond cut is not a shape. It is the quality of a diamond’s proportions, symmetry, and polish; these determine how efficiently light returns to your eye.

On this page you will learn how cut influences brilliance, fire, and scintillation; how depth and angles can make a diamond look smaller or dull; and which cut grades usually offer the best value.

If you want a diamond that looks bright in everyday conditions, prioritise cut first; then optimise carat, colour, and clarity around it.

DIAMOND EDUCATION

Diamond cut explained

What cut grade really means, how proportions drive brilliance, and how to use cut to get the most from your budget.

THE BASICS

What diamond cut actually means

Cut is not a shape. It is the quality of a diamond’s proportions, symmetry, and polish.

When jewellers talk about cut, they mean the craftsmanship applied to a rough diamond during the cutting and polishing process. A well-cut diamond has proportions that direct light efficiently from the table through the pavilion and back out to your eye. A poorly-cut diamond loses light through the sides or base, leaving it looking dark or lifeless.

Cut is graded independently of shape. A round brilliant, oval, and emerald cut can all be Excellent or Poor cuts — the grade reflects proportions, not the outline. GIA grades round brilliants on a five-point scale: Excellent, Very Good, Good, Fair, and Poor. For fancy shapes — ovals, pears, cushions, and the rest — there is no equivalent official cut grade, which is why proportion ranges and face-up spread matter even more when choosing non-round stones.

Of the 4Cs, cut is the only one entirely within the craftsman’s control. Colour and clarity are set by nature. Carat is a measure of weight. But every degree of crown angle, every percentage point of total depth, and the quality of every polished facet is a decision made by a skilled diamond cutter. A well-cut stone is a well-made one.

What makes a diamond beautiful

The three pillars of beauty

Every diamond is judged by how it handles light. These three qualities, each shaped by the cut, determine whether a stone appears alive or lifeless.

Brightness

White light returned to your eye

Brilliance is the total amount of white light reflected back from the stone. It is the most immediately perceived quality and the primary driver of how alive a diamond looks face up.

Improves with

Ideal pavilion anglePolish qualitySymmetryCorrect crown angle

Harmed by

Deep or shallow cutPoor polishDirty stoneDark inclusions near table
Fire

Spectral colour from dispersed light

Fire is caused by dispersion. White light splits into spectral colours as rays pass through angled crown facets. A well proportioned crown produces vivid coloured flashes in directional light.

Improves with

Steeper crown angleLarger crown facetsDirectional lightLower colour grade

Harmed by

Very flat crownHeavy fluorescenceDiffuse lightingCoatings or treatments
Scintillation

Sparkle as stone, light, or viewer moves

Scintillation is the dynamic contrast pattern created by movement. More facets and tighter symmetry produce a finer sparkle and a more complex pattern.

Improves with

More facetsExcellent symmetryPoint source lightMovement

Harmed by

Poor symmetryDiffuse or overcast lightLarge flat tablePoor cut overall

Diamond cut

How cut affects brilliance

Move the slider from Excellent to Poor to see how cut quality directly affects the light performance and visual brilliance of a diamond.

Diamond cut visualisation

Drag the slider to compare cut quality

Cut grade

Excellent

Maximum Brilliance

Cut Grade: Excellent

Maximum Brilliance & Fire

Brilliance: Very high, bright across the whole face; minimal light leakage. Crisp on/off sparkle even in low light.

Fire: Strong and well-distributed; vivid spectral flashes that appear quickly as the stone moves.

Overall look: Sharp contrast pattern ("arrows" visible), lively in all lighting, great scintillation.

Understanding brilliance: Cut influences how efficiently light returns to your eye. Excellent proportioning supports high brightness and lively contrast. Poor proportioning can leak light through the pavilion or sides, which reduces sparkle and can make the centre look dull.

Extra tip: Carat does not guarantee visual size. If a diamond is cut too deep it may face up smaller, even though it weighs the same as a better proportioned stone.

Not sure which cut grade offers the best balance of brilliance and budget? Our team can help.

Book a consultation

THE GRADING SCALE

The GIA cut scale explained

GIA grades round brilliant cut diamonds on five levels: Excellent, Very Good, Good, Fair, and Poor. Each grade reflects a range of proportions, symmetry, and polish scores rather than a single set of measurements. Two Excellent-grade diamonds can have slightly different proportions and both earn that grade — what matters is that both fall within the range GIA has determined produces outstanding light performance.

Excellent and Very Good cover the territory most buyers should target. An Excellent cut represents the top tier — proportions are optimised for maximum brilliance, fire, and scintillation. Very Good stones are nearly as well-cut and often represent better value per carat. The difference between Excellent and Very Good is typically imperceptible in everyday wear.

Good and Fair grades represent meaningful compromises. Good-cut diamonds can still be attractive, but proportions are noticeably outside the ideal range and light performance suffers. Fair and Poor grades are unsuitable for engagement ring centre stones — the visual penalty is significant. At À Vie Diamonds we set Excellent as our minimum for round brilliants, and we review proportions within that grade rather than treating the grade itself as sufficient reassurance.

Diamond education

How cut depth affects brilliance

The pavilion angle determines how light travels through a diamond. A fraction of a degree separates a stone that dazzles from one that looks dull.

Light exits through table

✓ Ideal

Ideal cut

Pavilion angle 40.6° – 41.8°

Light enters the table, reflects off both pavilion walls at the correct angle, and exits straight back through the table toward the viewer. This is maximum brilliance — the diamond returns nearly all light as white brightness and spectral fire.

34–35° Crown angle
40.6–41.8° Pavilion angle
59–63% Total depth

Light leaks through the side

✗ Too Deep

Cut too deep

Pavilion angle > 42°

When pavilion angles are too steep, light hits the first wall correctly but the second reflection angle overshoots and escapes through the pavilion side. The diamond appears dark and lifeless when viewed face-up, often showing a dark bowtie shadow through the centre.

> 42° Pavilion angle
> 64% Total depth
Poor GIA cut grade

Light leaks through the crown

✗ Too Shallow

Cut too shallow

Pavilion angle < 40°

When pavilion angles are too flat, light cannot achieve total internal reflection off the left pavilion. The shallow angle redirects light upward and across the stone, where it exits through the crown facet on the far side. The diamond looks washed out — like a window — with no sparkle or fire.

< 40° Pavilion angle
< 58% Total depth
Poor GIA cut grade

Education

Anatomy of a diamond

Every proportion shapes how light travels. Hover or tap a label to understand what it means and why it matters.

Table size Crown angle Crown height Girdle thickness Total depth Pavilion angle Pavilion depth Culet
  • Table

    The large flat facet on top of the diamond. Expressed as a percentage of the average girdle diameter. GIA excellent range: 54–57%.

  • Crown angle

    The angle between the crown bezel facets and the horizontal girdle plane. Works with pavilion angle to maximise fire and brilliance. GIA excellent: 34.0°–35.0°.

  • Crown height

    The vertical height of the crown from the girdle plane to the table. Measured as a percentage of the average diameter. Ideal range: 14–16%.

  • Girdle thickness

    The narrow band separating the crown from the pavilion. GIA grades it from Extremely Thin to Extremely Thick. Ideal: Thin to Slightly Thick.

  • Total depth

    The full height of the diamond from table to culet, as a percentage of the average diameter. GIA excellent for round brilliants: 59–63%.

  • Pavilion angle

    The angle between the pavilion main facets and the horizontal girdle plane. The single most influential factor in light return. GIA excellent: 40.6°–41.8°.

  • Pavilion depth

    The depth of the pavilion from the girdle to the culet, as a percentage of the diameter. Too deep or too shallow causes light to leak. Ideal: 42–44%.

  • Culet

    The very bottom point or small flat facet. GIA grades it None through Extremely Large. A None or Very Small culet is ideal — a large one appears as a dark circle when viewed through the table.

MAKING THE RIGHT TRADE-OFFS

Why cut should be your first priority

The common approach to diamond buying is to set a carat weight target and then work backwards. This is exactly the wrong order. A 1.00ct diamond with a mediocre cut will look smaller, duller, and less impressive than a 0.90ct diamond with an Excellent cut — and the Excellent-cut stone will often cost less per carat once you account for the premium on exact round-number weights.

Cut affects what you see. Colour and clarity affect what a trained grader can detect under magnification. Most buyers cannot tell the difference between a G and an H colour in everyday conditions. Most buyers cannot see the difference between VS1 and VS2 inclusions face-up. But every buyer can immediately tell the difference between a bright, lively diamond and a flat, dull one — and that difference is cut.

The practical approach: fix Excellent cut as a non-negotiable, then choose the highest carat weight that stays within your budget at G–H colour and VS2–SI1 clarity. This order of priorities consistently delivers the best-looking stone for a given spend.

Our process

How we help you find the right diamond

Most people buy a diamond once in their lifetime. We have spent years learning what separates a stone that photographs well from one that genuinely stops you — and we put that knowledge to work for every brief we take on.

01

How we assess cut quality

We prioritise light return and face-up spread — what the diamond actually looks like, not only what a certificate states. We review cut grade and proportions on the lab report, then examine table size, total depth, crown angle, and pavilion angle.

Where supplier imagery and video are available we assess brightness, contrast, and patterning in real lighting. If a stone looks dull in the centre or shows weak patterning, it does not make the shortlist.

  • Stones with dark centres or weak patterning are excluded regardless of grade
  • Heavy-for-spread stones are flagged and lighter alternatives offered
  • GIA Excellent and AGS Ideal are our floor, not our ceiling
02

What we help you avoid

Some diamonds carry weight in depth rather than spread, so they appear smaller than their carat suggests face-up. Others show dull or grey areas when proportions drift outside strong ranges — particularly around the crown and pavilion angles.

We also screen for poor symmetry, which creates uneven patterning that makes even well-graded stones look mediocre in daylight. If a stone only sparkles under harsh lighting, we will flag it and offer better alternatives.

  • A glassy or window-like appearance indicates a pavilion that is too shallow
  • Grey centres often result from mismatched crown and pavilion angles
  • Stones that only sparkle under harsh lighting are excluded from shortlists
03

What you receive from us

We do not hold diamonds in house. We source to order from trusted international marketplaces and established supplier partners, which gives us access to a far wider selection than any single retailer carries.

We move decisively once you have chosen, confirming availability and securing the stone before progressing to your ring or jewellery design. Availability can change quickly — we act the moment you are ready.

  • A curated shortlist with certificates and exact millimetre measurements
  • A clear explanation of trade-offs between each option
  • Confirmed availability before any commitment is made

“Every brief is different. What matters is that you leave with a stone you can hold up to any light and still find beautiful — years from now.”

Begin your brief

Expert insight on diamond cut

The Gemological Institute of America developed the leading cut grading system for round brilliant diamonds. This video explains what cut grade means, and how cut influences brightness and sparkle.

Use it as a foundation, then focus on what you can actually see. The right diamond is the one that performs well in real life, not the one that wins on paper.

READING THE CERTIFICATE

What to look for on a GIA grading report

A GIA grading report for a round brilliant diamond includes a cut grade near the top of the proportions section. Below it you will find individual scores for polish and symmetry, each graded on the same five-point scale. A certificate that reads Excellent cut, Excellent polish, Excellent symmetry — sometimes referred to as Triple Excellent or 3EX — indicates a stone that has been finished to the highest standard at every stage of the cutting process.

Below the grades are the actual proportions: table percentage, total depth percentage, crown angle, pavilion angle, girdle description, and culet size. These numbers tell you more than the grade alone. Two Excellent-cut diamonds can have different proportions — one with a 34.5° crown angle and 41.0° pavilion may handle light slightly differently to one with a 35.5° crown and 40.8° pavilion, even though both earn Excellent. The ideal ranges are: table 54–57%, total depth 59–63%, crown angle 34–35°, pavilion angle 40.6–41.8°.

For fancy shapes — oval, pear, cushion, emerald, and others — there is no GIA cut grade. For these stones, proportions and face-up spread are the only way to assess cut quality. We always provide millimetre measurements and review imagery for fancy-shape stones before adding them to a shortlist.

Everything you need to know

Frequently asked questions about diamond cut

For round brilliants, GIA Excellent is the target. Within that grade, look for a table of 54–57%, total depth of 59–63%, crown angle of 34–35°, and pavilion angle of 40.6–41.8°. These proportions produce the strongest combination of brilliance, fire, and scintillation. Very Good is a reasonable second choice and often represents better value per carat. Good, Fair, and Poor grades carry a meaningful visual penalty and are not suitable for engagement ring centre stones.

GIA only assigns a formal cut grade to round brilliant cut diamonds. Fancy shapes — oval, pear, cushion, emerald, marquise, radiant, asscher, and princess — receive polish and symmetry grades but no overall cut grade. For these shapes, proportions and face-up spread are the only reliable way to assess cut quality. A well-cut oval should have a length-to-width ratio of 1.30–1.50, strong spread for its carat weight, and no dark bowtie visible face-up. We always review imagery and proportions for fancy shapes before shortlisting.

Triple Excellent, sometimes written 3EX, means a round brilliant diamond has received Excellent grades for cut, polish, and symmetry on the GIA grading report. It represents the highest achievable standard on the GIA scale for all three assessed qualities. It does not guarantee a specific set of proportions — two Triple Excellent diamonds can still have different pavilion and crown angles, both within the Excellent range — but it confirms the stone has been finished to an exceptional standard.

Yes, in almost every case. A 0.90ct Excellent-cut diamond will look larger and more brilliant face-up than a 1.05ct poorly-cut stone. Cut controls how much light the diamond returns — which is the primary factor in whether a diamond looks alive or dull. Carat is weight, not size, and a deeply-cut stone carries much of that weight below the girdle where it is invisible. Set Excellent cut as a non-negotiable first, then choose the highest carat weight your budget allows within that grade.

Brilliance is the white light reflected back to your eye from the stone — the bright, mirror-like flashes that make a diamond look lively. Fire is the spectral colour you see when white light disperses into its component colours as it passes through the angled crown facets — the coloured flashes visible particularly in directional light. Scintillation is the dynamic sparkle pattern created by movement: as the stone, the light source, or the viewer shifts, bright spots flash and contrast changes. All three are primarily determined by cut quality.

Yes. A diamond cut too deep carries significant mass in the pavilion, below the girdle, where it is invisible face-up. The result is a stone that weighs more than a shallower stone but presents a smaller face-up diameter. A 1.00ct diamond cut to a total depth of 66% may face up like a 0.85ct stone. This is one reason carat weight alone is a poor proxy for visual size — the face-up diameter in millimetres is the more reliable measurement for understanding how large a stone will appear on the finger.

Every round brilliant we supply is independently graded by GIA or IGI, both of which assess cut grade on their grading reports. We set GIA Excellent or equivalent as our minimum for round brilliants and review the full proportions of every shortlisted stone, not just the headline grade. For fancy shapes, which carry no official cut grade, we assess face-up spread, imagery, and proportions before including a stone on any shortlist.

Still have a question? Our team typically responds within one business day.

Diamond education

The four Cs — what they mean for your diamond

Cut, colour, clarity, and carat weight each affect what you see and what you pay. Understanding the trade-offs is how you get the best stone for your budget.

The 4 Cs

Cut

Cut is the single biggest driver of brilliance. A well-cut stone returns light cleanly to the eye — a poorly cut one looks flat, whatever its colour or carat weight. We prioritise Excellent and Ideal grades for every stone we source.

The 4 Cs

Colour

Colour grades how colourless a diamond appears on a D–Z scale. The difference between D and G is invisible to most eyes — but significant on price. We guide you to the grade where you stop noticing and start saving.

The 4 Cs

Clarity

Clarity grades the size and position of inclusions inside the stone. Most are invisible to the naked eye — a VS2 or SI1 in the right stone looks identical to a flawless grade in everyday wear, at a meaningful saving.

The 4 Cs

Carat

Carat is weight, not size — and the two do not always agree. Shape and cut affect how large a diamond looks on the finger. A 0.90ct well-cut oval will often appear larger than a 1.05ct round with a mediocre cut.

Get in touch

Contact À Vie

Bespoke jewellery, clear guidance, no pressure. We respond to all enquiries within one to two business days.

Standards & Provenance

Certified and responsibly sourced

Every diamond we supply is independently graded and responsibly sourced.

IGI — International Gemological Institute

IGI Certified Diamonds

Diamonds independently graded by IGI for cut, colour, clarity, and carat.

Independent grading
GIA — Gemological Institute of America

GIA Certified Diamonds

Diamonds graded by GIA, widely recognised as the global standard for diamond certification.

Global standard
Kimberley Process Certification Scheme

Kimberley Process Compliant

Diamonds sourced in compliance with the Kimberley Process to prevent conflict diamonds.

Conflict-free sourcing